
Monster
2013 • Drama
A woman has an ugly face. She has been called 'monster' since childhood. A case occurs in her town that leads to her being ejected and a relocation to Tokyo. She obtains plastic surgery and begins working as a prostitute. She makes some dough and extends the plastic surgery to her entire body. She changes her name and begins a new life. The perfect body leads her to think about men and her hometown.
Runtime: 1h 54m
Why you should read the novel
The original manga 'Monster' by Naoki Urasawa offers a much deeper and more intricate exploration of its characters and themes than the 2013 movie adaptation. Urasawa meticulously develops the story over 18 volumes, allowing readers to immerse themselves in the psychological complexity and moral dilemmas faced by Dr. Kenzo Tenma. This expansive narrative offers an unforgettable reading experience that slowly unravels the chilling motivations behind Johan Liebert, delivering suspense and emotional impact at every turn.
By reading the source manga, you'll experience Urasawa's masterful pacing, striking artwork, and subtle foreshadowing, which all contribute to a nuanced understanding of guilt, justice, and the nature of evil. The manga offers a much more intimate encounter with Tenma's journey and the supporting cast, many of whom receive detailed backstories and development rarely seen in film.
Choosing the manga over the film allows you to appreciate the original vision, rich storytelling, and thematic depth that the condensed movie format cannot fully capture. Each volume rewards patient readers with layers of intrigue, philosophical questions, and suspenseful cliffhangers—making 'Monster' a must-read for fans of psychological thrillers and character-driven mysteries.
Adaptation differences
One major difference between the 2013 'Monster' movie adaptation and the manga is the scope of the narrative. The manga spans 18 volumes with a layered, complex plot and dozens of characters, allowing for gradual development and intricate subplots. In contrast, the film compresses much of the story to fit within a limited runtime, resulting in the omission or heavy condensation of key arcs and secondary characters.
Another notable difference is the portrayal and depth of character development. The manga delves deeply into the personal histories and motivations of numerous supporting characters, providing multi-dimensional perspectives on morality and trauma. The movie, by necessity, focuses primarily on the main plot and a handful of characters, meaning many nuanced relationships and backstories are lost.
The adaptation also differs in terms of thematic exploration. The manga thoughtfully examines themes such as the impact of childhood trauma, the meaning of justice, and the nature of evil through philosophical dialogues and subtle symbolism over dozens of chapters. The film, however, often resorts to a more straightforward approach that simplifies the moral ambiguities and psychological complexity intrinsic to Urasawa's work.
Finally, the pacing between the two versions is starkly different. Where the manga builds tension gradually with cliffhangers and layered plotting, the movie moves at a much brisker pace, sometimes sacrificing suspense and emotional buildup for the sake of narrative efficiency. As a result, key revelations and plot twists may feel rushed or lack the emotional resonance they possess in the manga.
Monster inspired from
Monster
by Naoki Urasawa