
Judith Krantz's Till We Meet Again
1989 • Drama
Judith Krantz's Till We Meet Again was a 1989 TV mini-series based on the Judith Krantz novel, Till We Meet Again. It starred Mia Sara, Bruce Boxleitner, Hugh Grant and Courteney Cox.
Why you should read the novel
Judith Krantz's novel 'Till We Meet Again' immerses the reader in a world of opulent settings, formidable heroines, and sweeping love stories, offering an intimacy and narrative detail far beyond what the television adaptation conveys. The book masterfully weaves historical intrigue with passionate relationships, drawing you deep into the personal struggles and triumphs of unforgettable characters against the larger-than-life events of the 20th century. If you crave a rich, multi-generational saga filled with emotional depth and atmospheric detail, Krantz's original novel delivers a narrative experience no screen version could match.
As a novel, 'Till We Meet Again' excels at exploring the inner thoughts, motivations, and emotional complexities of its protagonists over multiple decades. The story unfolds with a vividness and nuance that only prose allows, making the characters' journeys feel authentic and resonant. Lovers of historical fiction will appreciate the depth with which Krantz portrays early 20th-century France, wartime struggles, and the evolving roles of women during a time of great societal change.
Reading the book offers a rewardingly immersive experience, allowing you to savor every twist of fate and every heartfelt exchange over a broader canvas than a miniseries can provide. The novel's pace and detail grant space for suspense and emotional buildup, enhancing your connection with the characters and making their highs and lows even more impactful. Discovering the source material will enrich your understanding of the themes and events, and reveal layers overlooked in the show's condensed retelling.
Adaptation differences
One of the most significant differences between the TV adaptation and Judith Krantz's novel lies in the depth of character exploration. While the miniseries condenses complex personalities into more straightforward archetypes for the sake of television pacing, the book delves deeply into the motivations, fears, and aspirations of each main character, especially the women. As a result, many nuanced relationships and internal conflicts from the novel are abbreviated or omitted in the adaptation.
The timeline and settings are also streamlined for the screen. The novel spans several decades and locations with immersive historical detail, whereas the miniseries compresses or simplifies key events and settings. This leads to certain time jumps and character transitions feeling abrupt or underdeveloped when compared to the gradual, carefully layered storytelling of the book.
Several subplots and secondary characters, which enrich the background and stakes in the novel, are either minimized or left out entirely in the TV version. This reduces the scope of the world Krantz painstakingly builds, and sometimes lessens the emotional impact of crucial developments. The show tends to focus more on the central romance and dramatic high points, at the expense of the intricate web of friendships, societal dynamics, and family legacies depicted in the book.
Lastly, the tone and themes are subtly different between the two versions. The novel does not shy away from mature themes and complex emotional truths, allowing readers to engage with difficult subjects in a more personal and reflective way. The adaptation, aimed at a television audience, often softens or sanitizes some of these issues, losing much of the novel's mature introspection and emotional authenticity. For a richer, more complete experience of the story, reading the original book by Judith Krantz is highly recommended.
Judith Krantz's Till We Meet Again inspired from
Till We Meet Again
by Judith Krantz