
Dad
1989 • Drama • PG
A busy executive learns during a meeting that his mother may be dying and rushes home to her side. He ends up being his father's caretaker and becomes closer to him than ever before. Estranged from his own son, the executive comes to realize what has been missing in his own life.
Runtime: 1h 57m
Why you should read the novel
Before you watch the movie, discover the original voice behind the story. William Wharton’s novel Dad delivers the intimate, interior perspective that cinema can only hint at, inviting you into the private thoughts, memories, and emotional textures that define this family’s journey.
Wharton’s prose is compassionate, incisive, and deeply humane. In the book Dad, you’ll find rich character layers, quiet domestic details, and a candid look at aging, caregiving, and dignity—elements that reward slow reading and reflection far beyond a two-hour runtime. If you want the complete experience, read the novel Dad by William Wharton.
Whether you prefer paperback, ebook, or audiobook, reading Dad gives you the author’s original pacing, nuance, and thematic depth. For fans of literary family sagas and reflective fiction, searching “Dad novel William Wharton” is your best next step—explore the source material and feel the story as it was first imagined.
Adaptation differences
Tone and texture differ notably between page and screen. The novel’s voice is more introspective and sometimes more melancholy, sustained by interior monologue and observational detail, while the film leans toward accessible warmth, broader sentiment, and streamlined emotional beats to fit a mainstream dramatic rhythm.
Narrative scope is also expanded in the book. Wharton dwells on layered memories, family history, and small, accumulative moments that reveal character over time. The adaptation compresses chronology, condenses or merges episodes, and trims digressions to maintain forward momentum, creating a clearer, more linear arc.
Characterization is more granular in the novel. Readers witness complex inner conflicts—guilt, resentment, tenderness, and regret—developing with subtle shifts. On screen, some side characters become functional to the plot, while the father–child bond is shaped through dialogue and set pieces rather than the novel’s sustained interior perspective.
Thematic emphasis shifts as well. The book’s critique of aging, autonomy, and institutional care is sharper and more probing; the film reframes some of these issues as narrative catalysts and moments of catharsis. Where the novel allows ambiguity and lingering questions, the adaptation favors closure and uplift, offering a tidier resolution than the source material.
Dad inspired from
Dad
by William Wharton