
Magic
1978 • Drama, Horror • R
A ventriloquist is at the mercy of his vicious dummy while he tries to renew a romance with his high school sweetheart.
Runtime: 1h 47m
Why you should read the novel
Before you watch Magic (1978), discover the chilling brilliance at its source: Magic by William Goldman. The novel immerses you in a deeper, darker psychological maze where tension builds from the inside out.
Reading the book offers what the camera can’t capture—Goldman’s razor-sharp prose, intimate interiority, and an unnervingly close look at Corky’s unraveling mind. If you crave a richer experience than any single viewing, the Magic novel by William Goldman delivers it.
Choose the page over the screen and let the story haunt you at your own pace. For fans of psychological suspense, reading Magic is the definitive way to understand the character, the themes, and the terrifying allure behind the ventriloquist’s voice.
Adaptation differences
Magic (1978) is a faithful adaptation in many respects—fittingly, since William Goldman wrote both the novel and the screenplay. Yet the different mediums shape the experience: the film emphasizes performances and visual tension, while the book delivers a more intimate, cerebral dread.
Perspective is the biggest shift. The novel gets you inside Corky’s head, sustaining ambiguity about his mental state and the nature of Fats through interior monologue and carefully calibrated prose. The film must externalize that conflict, leaning on sound design, editing, and acting choices to suggest what the page can state or withhold.
Pacing and structure change as well. The book lingers on backstory, motivation, and the slow creep of obsession, giving more room to secondary relationships and the professional pressures that shape Corky. The movie condenses timelines and streamlines subplots to maintain momentum, focusing on key confrontations and a tighter geographic scope.
Tone and resolution also diverge in emphasis. The novel sustains its ambiguity longer and shades character choices with extra nuance, while the film sculpts a more direct, cinematic crescendo. Both are powerful, but the book’s deeper interiority and psychological layering make its revelations feel more personal—and more unsettling—than the necessarily externalized beats on screen.
Magic inspired from
Magic
by William Goldman














