The Heroes

1988 • Action, Drama, War

Based on a true story, The Heroes follows one of the most extraordinary and heroic exploits of World War II. After months of rigorous training in the north of Australia, a team of 14 men, most barely out of their teens, set sail from Cairns on board a leaky old fishing boat called 'The Krait'. Their mission, code-named Operation Jaywick, became a tense voyage through thousands of kilometres of Japanese held territory to launch a daring attack on Singapore Harbour. The raid is a success but within sight of safety they encounter a Japanese destroyer, and all prepare to die rather than be taken prisoner.

Runtime: 3h 28m

Why you should read the novel

If World War II special operations captivate you, read Ronald McKie’s The Heroes. Drawing on rigorous research and interviews, McKie places you inside Z Special Unit’s clandestine world with vivid, ground-level immediacy. The book traces the full arc of Operation Jaywick: careful planning in Australia, refitting the Krait, relentless training, the hazardous voyage through enemy waters, the stealth canoe strikes in Singapore Harbour, and the tension of the return—plus the consequences that followed. Beyond action, McKie explores cultural context, competing pressures, and moral complexity. You’ll encounter the ingenuity, fear, courage, and cost that defined the mission, delivering a richer, more nuanced experience than any two-part screen retelling can provide.

Adaptation differences

Scope and structure: The 1988 screen adaptation streamlines chronology and focuses chiefly on Operation Jaywick, while the book spans both Jaywick and the ill‑fated follow‑up Operation Rimau, dedicating space to planning, logistics, and aftermath. Characterization: On screen, several historical figures are merged into a tighter ensemble with clearer arcs. McKie’s account profiles a broader cast, preserving distinct ranks, roles, and viewpoints drawn from sourced testimony and reportage. Detail and tone: The miniseries prioritizes suspenseful set pieces, concise dialogue, and visual tension. The book lingers on technical minutiae—navigation, tides, equipment improvisations, canoe tactics—and addresses ethical ambiguities and wartime bureaucracy with greater candor. Cultural and geographic texture: Filming condenses locations and minimizes language barriers and local intermediaries for narrative flow. The book situates the mission within Southeast Asian geography, regional contacts, and post‑raid repercussions, offering documentary-level granularity.