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Victor Hugo's timeless classic, 'Les Misérables', offers readers an immersive journey into the heart of 19th-century France. Through richly detailed descriptions and vivid character portrayals, Hugo delves deep into the social and political undercurrents of his time, painting a robust picture often trimmed down in cinematic adaptations.

While the 1998 film captures the essence of Hugo's narrative, it cannot encapsulate the profound philosophical musings and the intricate subplots that intermingle throughout the novel. In reading, one savors Hugo's exploration of the human spirit, the struggles against injustice, and the search for redemption, all woven into a narrative that's both expansive and intimate.

Hugo’s masterpiece encourages introspection, challenging readers to reflect on morality, society, and our shared humanity. Engaging with the original text, rather than relying solely on film interpretations, offers a more comprehensive understanding of its enduring themes and the brilliance of Hugo's literary genius.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Les Misérables

One of the main differences between the film 'Vampires' and John Steakley’s novel 'Vampire$' is the characterization of the protagonist. In the book, Jack Crow is a complex, world-weary leader with a deep sense of responsibility towards his team, and his development throughout the narrative adds significant emotional weight. The movie version, as portrayed by James Woods, is far more of a reckless antihero, heavy on bravado but lacking the rich inner conflict that defines Steakley’s character.

Another major difference is the depiction of the vampire-hunting organization. In the novel, the Vatican-backed group is a shadowy, bureaucratic force funding Crow’s mercenary outfit, with intricate global operations and politics affecting their decisions. The movie simplifies this dynamic considerably, focusing more on direct action and pure vengeance, and dropping much of the internal intrigue and moral ambiguity present in the book.

Crucially, the movie’s plot diverges sharply from the novel. While both involve teams of vampire hunters, the film introduces new characters and storylines, such as the ancient master vampire Valek and the plot device of the Black Cross, which are not in the source material. The book involves far more internal conflict amongst the hunters, as well as different motivations driving the human and vampire adversaries.

Finally, the tone and style of the adaptation are distinct. The movie adopts a pulpy, action-heavy, Western-flavored approach, with over-the-top violence and grisly special effects. John Steakley’s novel, on the other hand, is more concerned with atmosphere, psychological horror, and the slow erosion of the human spirit. Readers looking for substance and subtlety will find the book a far different—and arguably more rewarding—experience than the film.

The novel 'Vampire$' by John Steakley offers readers far more depth, character development, and world-building than the 1998 movie adaptation provides. The book delves into the mental and emotional toll that hunting vampires exacts on the team, exploring their camaraderie, fears, and motivations in ways the film never attempts. With its gripping action and strong character-driven narrative, the novel creates a much more immersive and suspenseful experience, making it essential reading for any fan of vampire fiction.

Reading 'Vampire$' provides a richer understanding of the vampire hunter's life—its psychological burdens and haunting landscapes, not just the bloody kills. Steakley crafts a nuanced, morally complex world filled with high stakes, betrayals, and flawed heroes, making the hunters’ struggle deeply personal and tragic. The result is a compelling rollercoaster ride with unexpected twists and turns.

If you found the movie's action appealing, the novel’s slow-burn tension, psychological horror, and vividly written combat sequences offer an even more rewarding journey. Allow yourself to experience John Steakley’s original vision, where horror blends with humanity on every page—a truly unforgettable addition to modern vampire literature.

The church enlists a team of vampire-hunters to hunt down and destroy a group of vampires searching for an ancient relic that will allow them to exist in sunlight.

Vampire$

Vampires

One of the main differences between 'Primary Colors: A Novel of Politics' and its 1998 film adaptation lies in character development. The novel delves deeper into protagonist Henry Burton’s internal conflicts, motivations, and ethical dilemmas, allowing readers a closer look at his transformation. The film, while capturing the story’s major arcs, condenses his journey for the sake of pacing and runtime, losing some of the subtleties found in the book.

Another significant difference is the level of political and social commentary. Joe Klein’s novel provides intricate analysis and backstory for various secondary characters, giving context to their actions and the political climate. The movie streamlines subplots and supporting character arcs, focusing on the main campaign trajectory instead, which inevitably simplifies the complex world crafted in the book.

Narrative structure also distinguishes the book from its cinematic version. The novel employs first-person narration, immersing readers in Henry's thoughts and interpretations, which adds another layer of personal insight and bias to the storytelling. The movie presents events more objectively, using visual storytelling but losing some of the intimacy and nuance.

Lastly, certain plot points and scenes are altered or omitted entirely in the film for dramatic effect or to fit the timeframe. Minor characters are sometimes merged or excluded, and some key moments are shortened or approached differently. This means that readers of the novel will encounter richer background stories and additional, thought-provoking material absent from the film.

Discover the brilliant, unfiltered insight of American politics by reading 'Primary Colors: A Novel of Politics' by Joe Klein. The novel dives deeper into the characters and intricacies that inspired the acclaimed 1998 film. Experience nuanced portraits of power, ambition, and idealism that a movie simply cannot provide. Reading the source material gives you access to rich dialogues, internal monologues, and subtle political commentary lost in adaptation. If you crave a detailed exploration of the campaign's behind-the-scenes machinations, the book offers a more immersive, complex, and thought-provoking perspective than the screen version.

In this adaptation of the best-selling roman à clef about Bill Clinton's 1992 run for the White House, the young and gifted Henry Burton is tapped to oversee the presidential campaign of Governor Jack Stanton. Burton is pulled into the politician's colorful world and looks on as Stanton -- who has a wandering eye that could be his downfall -- contends with his ambitious wife, Susan, and an outspoken adviser, Richard Jemmons.

Primary Colors: A Novel of Politics

Primary Colors

Delve into the rich tapestry of Rosamunde Pilcher's 'The Coming Home Series' for an immersive and poignant journey that transcends the cinematic adaptation. Pilcher's novel provides an unparalleled depth of character development and setting, allowing readers to truly become part of the world she intricately weaves. The nuances and emotional layers within the pages offer a sublime escape into a time gone by, with personal stories that resonate deeply and offer more complexity than any screenplay adaptation could.

Reading the original novels offers an experience that is both intimate and expansive. Pilcher has a remarkable ability to evoke a sense of place and history, capturing the essence of the era with detail that vividly paints the backdrop against which her characters' lives unfold. Her narrative invites readers to explore the internal landscapes of her characters in a way that film often cannot, making for a rewarding investment in understanding their motivations and growth through the trials they face. By choosing to read 'The Coming Home Series', you're opting for a fulfilling literary experience that promises to stay with you long after the last page is turned.

Drama about the Dunar and Carey-Lewis families, before during and after WW2.

The Coming Home Series

Coming Home

One major difference between the novel and the movie adaptation is the ending. In Nicholas Evans' book, the story concludes with a more tragic and bittersweet resolution for Tom Booker, focusing on the consequences of love and sacrifice, while the movie opts for a less somber, more hopeful conclusion that alters the characters' destinies and the emotional impact of the story.

Another significant divergence is the portrayal of the central relationship between Annie and Tom. The novel explores their affair in a more intense and adult manner, delving into the complexities and consequences of their actions. In contrast, the film tones down the romance, choosing to portray it as more restrained, and leaves much of the emotional turmoil unaddressed in order to appeal to a wider audience.

The characterization and development of Grace, the young girl at the heart of the story, also differ between the book and the movie. In the novel, Grace's recovery is a gradual, psychologically detailed journey. She grapples with guilt, self-worth, and her relationship with both her parents and her horse. The film, while highlighting her trauma, compresses her evolution for time, offering a more streamlined and less nuanced personal arc.

Location and atmosphere are also handled differently in the two mediums. Evans' novel spends considerable time developing the Montana setting, using it as not just a backdrop, but as a character in its own right. The film, while beautifully shot, relies more on visuals than detailed narrative to capture the setting's significance. This shift affects the tone and depth of immersion that the original book provides, making the reading experience richer for those seeking a deeper connection to the story's world.

Nicholas Evans' novel The Horse Whisperer offers a far more nuanced and intimate journey into its characters' lives than the film adaptation. The book delves deeply into the emotional psyche of each character, allowing readers to truly understand both the pain and hope that drive their stories. Through compelling prose, the novel provides insights into the healing process and the power of forgiveness, inviting readers into the complexities that movies can only touch upon briefly.

Reading the novel allows you to immerse yourself in the sweeping landscapes, fully appreciating the meticulously described Montana wilderness and the bond between humans and horses. The narrative richness and evocative writing make the world truly come alive, fostering a connection that is often lacking on screen. Evans' storytelling is detailed and evocative, making it a rewarding literary experience.

Furthermore, the book presents mature themes and intricate relationships that are simplified or altered in the movie adaptation. By choosing to read The Horse Whisperer, you gain a deeper understanding of the characters' internal conflicts and motivations, culminating in a profound and satisfying literary journey.

The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.

The Horse Whisperer

One key difference lies in the format—Novecento: Pianist is a monologue of fewer than 100 pages, while The Legend of 1900 is a full-length, visually lavish film. The novella’s single-narrator perspective brings an intimacy and ambiguity that’s replaced by a third-person cinematic storytelling style, altering your emotional experience.

The movie dramatically expands upon the book’s minimalist framework. New characters and elaborate plot developments, including the romance with the girl on the ship and the showy piano duel scene, are only loosely inspired by the novella’s sparse anecdotes. The film introduces secondary arcs and visual metaphors that don’t appear in the original text.

In the novella, 1900 remains a mythical presence, sometimes more a legend than a man; many of his exploits are left vague and open to interpretation. The movie, in contrast, portrays 1900’s actions and backstory in concrete detail, offering explicit explanations where Baricco leaves ambiguity, and supplying closure where the book is content with mystery.

Additionally, the philosophical undertones of the novella are subtly woven into its language and narrative structure. The movie emphasizes melodrama and spectacle, sometimes glossing over the existential musings and understated humor that define Baricco’s literary style. Ultimately, the adaptation transforms a quietly enigmatic story into a sentimental epic, making the reading experience singularly rewarding for those who seek literary depth.

Reading Alessandro Baricco’s Novecento: Pianist offers an entirely different experience than watching The Legend of 1900. The novella’s poetic language draws readers into the rhythm and wonder of 1900’s world with a subtle intimacy only literature can offer. Baricco crafts a direct connection between the narrator and reader, making the story personal and immediate, unlike the distant spectacle of film.

The novella’s brevity is deceptive, packing profound themes—identity, destiny, and the infinite possibilities of art—within its compact format. Its lyrical, philosophical tone allows you to reflect on the nature of genius and the meaning of never setting foot on land, something a visual adaptation only hints at.

Reading the source lets you dwell on Baricco’s lightly magical prose, which favors suggestion over exposition. You’re invited to co-create the atmosphere with your imagination, and you’ll uncover delicate layers of emotion lost in the translation to screen. The book is the purest way to experience 1900’s haunting, unforgettable journey.

The story of a virtuoso piano player who lives his entire life aboard an ocean liner. Born and raised on the ship, 1900 learned about the outside world through interactions with passengers, never setting foot on land, even for the love of his life. Years later, the ship may be destroyed, and a former band member fears that 1900 may still be aboard, willing to go down with the ship.

Novecento: Pianist

The Legend of 1900

Dive into the richly woven tapestry of Arthurian lore with Vera Chapman's 'The King's Damosel', a vivid tale that offers a deeper exploration of the legendary world of Camelot. Unlike the film, the book provides a more intricate narrative, rich with character development and complex themes that cater to a mature audience.

Chapman's storytelling captures the essence of medieval romance and chivalry, bringing to life the courageous and determined female protagonist, Lynett. Her journey is laden with trials and triumphs, offering readers a more personal and immersive experience than the animation could convey.

For those who cherish the nuanced narratives of the Arthurian legends, this book promises to be a compelling read. The novel's authentic portrayal of the legendary Camelot invites readers to relish every turn of the page, exploring the depth and heart of a world where magic and valor intertwine.

During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. The evil Ruber wants to invade Camelot and take the throne of King Arthur, and Kayley has to stop him.

The King's Damosel

Quest for Camelot

The film 'The Newton Boys' takes significant creative liberties with the true story as told in the book. While the movie captures the overall arc—the rise and fall of the Newton Gang—it simplifies and compresses many events for pacing and dramatic effect. Heists are often depicted as capers, with added humor and charm, whereas the book describes the careful planning, danger, and ethical ambiguity present in the gang’s real-life activities.

Character development is another area with notable differences. The movie amalgamates traits and actions among the brothers for narrative clarity, frequently glossing over aspects of their upbringing and individual motivations. The book, on the other hand, provides a more nuanced exploration of the Newton family, diving into each brother's perspective and their complex, sometimes conflicting, reasons for turning to crime.

Additionally, the movie downplays the violent realities of some of the gang’s crimes and the consequences faced by the community and their victims. The source material neither shies away from these darker moments nor romanticizes the criminal lifestyle, striving for historical accuracy over entertainment value. Important legal battles and their aftermath receive more thorough examination in the book.

The book further grounds the Newton Gang’s story in its social and regional context, whereas the film places a stronger emphasis on action and charismatic set pieces. This leads to a difference in tone: the film has a buoyant, sometimes buddy-comedy feel, while the book is more reflective, drawing attention to the broader implications of the gang’s crimes and their legacy in American history.

Experience the remarkable true story of the Newton Gang by immersing yourself in the pages of 'The Newton Boys: Portrait of an Outlaw Gang.' The book delivers a richer, more detailed depiction of the gang's heists, history, and the Texas roots that shaped their journey—a depth that can't fully unfold in a two-hour movie. Stanush and Middleton combine comprehensive research and firsthand accounts to paint a nuanced portrait of each brother, revealing their distinct personalities, family dynamics, and the circumstances that drove them to notoriety.

Discover authentic interviews and historical documents that bring the real voices of the Newton boys to life. The narrative uncovers their motives, their humor and charm, and even moments of regret, offering a complexity often glossed over on screen. The book also covers their lesser-known exploits and legal battles, shedding light on forgotten episodes that add dramatic texture to their legend.

By reading the source material, you'll uncover layers of context, emotion, and detail simply unavailable in the film. It’s an invitation to explore the truth behind the myth and connect with the fascinating history and humanity of one of America’s most successful outlaw gangs.

The four Newton brothers are a poor farmer family in the 1920s. One day, the oldest of them, Willis, realizes that there's no future in the fields and offers his brothers to become bank robbers. Soon the family agrees. They become very famous robbers and execute the greatest train robbery in American history five years later.

The Newton Boys: Portrait of an Outlaw Gang

The Newton Boys

One of the most noticeable differences between 'Summer of the Monkeys' and its film adaptation is the treatment of Jay Berry's internal thoughts and growth. The novel delves much deeper into his internal struggles, dreams, and fears, allowing readers to experience his journey intimately. The film focuses more on visual storytelling and action, trimming down or entirely omitting many of these nuanced inner moments in order to move the story along.

Additionally, some secondary characters and subplots are compressed or largely omitted in the movie. In the book, Jay Berry's relationship with his disabled sister, Daisy, and their parents is fleshed out with more warmth and complexity. The film streamlines these family dynamics, narrowing the focus mostly to Jay Berry's escapades with the monkeys and glossing over some of the emotional development that occurs in the book.

The pacing between the two mediums also differs greatly. The novel takes its time to establish the rich Oklahoma setting, the gradual development of Jay Berry's goals, and the intricacies involved in tracking down and befriending the monkeys. The adaptation, due to time constraints, condenses many of these sequences, sometimes making the story feel less layered and the character transformations more abrupt.

Finally, the ending is handled with subtle but significant changes. Where the book emphasizes themes of self-sacrifice and personal growth through Jay Berry's ultimate decisions regarding his wishes, the film version may alter or simplify these outcomes for a more clear-cut, audience-friendly conclusion. This shifts the impact and meaning derived from Jay Berry's journey and the lessons he learns along the way.

Reading Wilson Rawls' novel 'Summer of the Monkeys' offers far more than just entertainment; it invites readers into a deeply immersive world. The book paints a vivid picture of the Ozark landscape and the rural family life of the late 1800s, revealing layers of emotional growth that a movie simply can't capture. Its rich, authentic dialogue and descriptions put you right in protagonist Jay Berry's shoes, making every sense and struggle tangible.

While the film adaptation briskly moves through the key events, the novel provides ample space to explore the complex relationships and motivations behind each character. The evolving bond between Jay Berry, his family, and the monkeys is explored with nuance, allowing for a deeper understanding of their challenges and triumphs. Every heartfelt moment or brush with disaster unfolds slowly, giving you time to reflect and connect.

Most importantly, Rawls' writing style weaves humor, tenderness, and wisdom throughout, making the coming-of-age journey truly resonate. Readers will find themselves rooting for Jay Berry at every turn, gaining insights on kindness, perseverance, and the simple joys of childhood. For anyone looking for a meaningful, uplifting story, the novel is an enriching alternative to the on-screen experience.

One summer, Jay finds four chimps on the prairie who have fallen off a circus cart.

Summer of the Monkeys

One major difference between Deirdre Purcell’s novel and its film adaptation is the depth of character exploration. The book provides much more space to delve into Elizabeth Sullivan’s inner thoughts, motivations, and emotional struggles, while the film often relies on visual cues and condensed scenes, which can limit our understanding of her inner life.

The adaptation also alters and streamlines several plot points to fit the television format. Certain secondary characters are given less screen time or are combined with others, reducing the intricacies of social interactions and relationships developed in the novel. Some subplots, particularly Elizabeth’s relationships with her children and with Mossie’s family, are less detailed or omitted altogether in the movie.

The setting and atmosphere, while richly captured on film, are even more vivid in the novel through Purcell’s descriptive language. The oppressive weight of rural Irish society, the countryside, and daily life are painted with far greater detail in the book, lending a stronger sense of place and struggle. The film, while visually beautiful, must occasionally rush through these settings to accommodate narrative pacing.

Finally, the ending and character arcs sometimes diverge between page and screen. The film often opts for a more dramatic, immediate resolution, whereas the book allows the consequences of Elizabeth’s decisions to play out over a longer period, providing a more nuanced view of her fate, growth, and the changing attitudes of those around her. This makes the novel’s conclusion feel more reflective and layered.

Deirdre Purcell's novel, 'Falling for a Dancer,' immerses readers in the evocative landscape of 1930s Ireland, bringing to life a time and place marked by strict societal norms and quiet dreams. Through vivid prose and deeply developed characters, the book offers a rich intimacy with Elizabeth Sullivan's inner world that cannot be fully captured on screen.

Reading the novel lets you experience the subtle nuances of Elizabeth's journey—her hopes, despair, resilience, and the complex dynamics of her controversial marriage. Purcell’s narrative artistry provides deeper insight into the motivations, fears, and small victories of her characters, creating a more personal and profound engagement than the film’s condensed storytelling.

The novel’s pace allows for greater reflection on the weight of community judgment, the intricacies of love, and the power of endurance. If you truly want to walk in Elizabeth’s shoes and witness the depths of her emotional landscape, the original novel is a rewarding choice beyond the film adaptation.

Romantic drama set in rural Ireland of the 1930s. The story begins when 19-year-old Elizabeth has a brief fling with an actor and falls pregnant. Community pressure forces her to marry a dull middle-aged man, but maybe there is hope on the horizon.

Falling for a Dancer

One major difference between Dean Koontz’s novel and the 1998 film adaptation of Phantoms lies in character development. The novel spends considerable time delving into the personal histories, fears, and motivations of its main characters, particularly sisters Jenny and Lisa Paige. This deeper characterization makes their struggle with the unknown more compelling. In contrast, the film rushes through introductions, providing minimal insight into their personalities, which can make them feel like generic protagonists.

The nature and presentation of the antagonist also differ significantly. In the book, Koontz offers a detailed, almost scientific explanation of the creature—the Ancient Enemy—and its origins. This gives the novel weight, blending speculative science with horror. The film, for the sake of runtime and simplicity, glosses over this mythology, opting instead to depict the antagonist primarily as a monster without exploring its fascinating backstory in depth.

Another key difference is the tone and buildup of suspense. Koontz’s writing excels in building a slow-burn, methodical sense of dread that intensifies as the mysterious events unfold. The isolation of Snowfield, the eerie stillness, and the gradual escalation of horror are all essential elements of the book’s atmosphere. The movie, on the other hand, leans on conventional horror tropes and special effects, sacrificing psychological tension for jump scares and more overt violence.

Finally, several plot elements and subplots are altered or omitted entirely in the film. The book explores more about the government’s involvement, the historical context of similar disappearances, and the philosophical implications of the Ancient Enemy’s existence. These layers add depth to the book’s overarching themes but are largely left unexplored in the adaptation, resulting in a more superficial horror experience on screen.

Dean Koontz’s novel, Phantoms, delivers a far richer and more immersive horror experience than its 1998 film adaptation ever could. The book brims with psychological tension and atmospheric detail, drawing readers into the snowbound Colorado town plagued by mysterious disappearances and an ancient evil. Koontz crafts deeply developed characters, whose fears and relationships add vital emotional investment to the cosmic terror they face.

Fans of chilling mysteries and supernatural horror will appreciate the slow, meticulous buildup of dread that the novel sustains throughout its pages. Rather than rushing from scare to scare, Koontz methodically unveils the history and nature of the evil entity, providing a satisfying mix of science, folklore, and suspense. The book’s pacing and depth make its twists and revelations all the more rewarding, leaving readers genuinely unnerved.

Reading the novel allows you to savor Koontz’s richly descriptive style, which evokes the isolation and creeping paranoia as the town’s secrets unfold. The film, in contrast, oversimplifies and condenses the story, losing much of its nuance and complexity. For those seeking a truly immersive and intellectually engaging horror story, the book is undeniably the superior choice.

In the peaceful Colorado town of Snowfield, something evil has wiped out the community. And now, it's up to a group of people to stop it, or at least get out of Snowfield alive.

Phantoms

The film The Misadventures of Margaret simplifies and streamlines several key themes and plotlines from the novel Rameau's Niece. While the book delves deeply into Margaret's intellectual pursuits, especially her academic fascination with Diderot, the movie focuses more on her romantic escapades, often sidelining the philosophical and literary discussions that form the heart of the novel. This shift in emphasis results in a lighter, more conventional romantic comedy compared to the layered exploration found in the book.

Another significant difference is in the portrayal of Margaret herself. The novel presents her as introspective and self-aware, struggling through internal monologues and doubts about her choices in life and love. In the movie, her character is externalized, and her internal conflicts are often translated into comedic set-pieces or whimsical daydreams, which can come across as less nuanced. The result is a protagonist who is more reactive and less contemplative than her literary counterpart.

Supporting characters also undergo transformation in the adaptation process. Relationships that are central to Margaret’s personal growth in the novel—such as her nuanced interactions with family, colleagues, and lovers—are compressed or altered for cinematic brevity. This leads to a loss of depth in secondary character arcs and the complex social dynamics that Schine so deftly portrays.

Furthermore, the novel’s clever use of metafiction, with Margaret drawing inspiration from and even interacting with characters from Enlightenment literature, is largely absent or simplified in the film. This diminishes the novel's playful commentary on reading, interpretation, and the porous boundaries between fiction and reality. In sum, the adaptation transforms a rich literary meditation into a broader, more accessible—but less intellectually stimulating—screen experience.

Cathleen Schine's novel Rameau's Niece offers a nuanced and introspective journey into the mind of a woman questioning her marriage, desires, and intellectual identity. Unlike the movie, the book masterfully blends humor with sharp observations about academia, relationships, and the often muddled intersection between fantasy and reality. Schine's witty prose and insightful characterizations invite readers to immerse themselves in Margaret's world, experiencing her dilemmas and epiphanies at a depth the film adaptation can only hint at.

In reading the novel, you will appreciate the clever interplay between literature—especially the influence of Diderot's works—and modern life, making for a rewarding intellectual adventure. The narrative provides an absorbing, interior perspective that captures Margaret's insecurities, aspirations, and wry self-awareness. This literary approach enables a more intimate exploration of personal growth and the intricacies of marriage, which are softened or glossed over in the cinematic version.

Choosing the book means gaining access to the full emotional and philosophical spectrum of Margaret's crisis, rendered with subtlety and warmth. Schine's unique voice ensures that readers will find both laughter and insight, resulting in an experience that lingers long after the last page—a richness that movie adaptations often struggle to achieve.

A timid, insecure popular author with an overly-attentive professor husband decide to write an erotic novel. With encouragement from her sister and a bi-sexual friend, she goes to France with the intent of doing research at an inn where a diary she had been using documented erotic encounters. Instead she finds the inn is now a cloister for singing nuns. However, a young, divorced sound engineer is also there taping the nuns. While attracted, she mostly succumbs only to new fantasies until he follows her home to New York.

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